Mack Usagi

Your characters' general information and background/origin should go here.

Moderators: Moderator, DM

Post Reply
User avatar
MistyMountain
Recognized Donor
Posts: 94
Joined: Fri Sep 11, 2015 7:47 am

Mack Usagi

Unread post by MistyMountain »

Image
Goals: What does your character want to accomplish in the next "tenday?" He aims to stay alive, he barely makes enough to keep himself fed and clothed in his wanderings from town to town. He does not exactly seek adventure, but it seems homelessness is his home, as it was at the beginning. In the next month? He aims to further his understanding of ninjutsu Year? Their life goal? He aims to return someday to T'u Lung and find the diety of the chants that saved him, settling down perhaps in a dojo like the one he remembers so fondly.

Each and every character has a passion. He has a passion for the teachings of his childhood dojo. Mack very much lives in his past.
First Name: Mack
Last Name: Usagi

Appearance: Mack is a tallish hin with blond hair and beard and darkly tanned skin. He has all the markings of a traveling bard, albeit a bit shabby and patched in places. He has his instruments strapped to him and has a shortsword at his belt.
Race: Strongheart Halfling
Eyes: blue
Facial Hair Style: beard
Hair: blond
Eyes: blue
Age: 31
Height: tallish for a hin
Weight: lithe

Distinguishing features: A permanent dark tan and barely visible freckles mark his body from so much time in the sun laboring, training, and wandering.

Real people have flaws: He is marred by the disease he suffered and that killed his master. He easily catches illnesses and injury is more devastating to him.

Personality Profile:
Deity: Still deciding (the chants are actually exulting the Way religion)
Initial Alignment: Neutral
Profession: Traveling bard
Base Class & Proposed Development: Bard/Shadowdancer/phantom
Habits/Hobbies: Practicing drills he learned as a child, mulling over strange confucian riddles, tea in all its complexities
Languages: Shou, Thayan, Halfling, Common (knows the Tongues spell)
Weapon of Choice: Shortsword

Potential hooks:
1) He will ply his trade(songs and stories with instrument) for money, food and/or lodging.
2) He has an interest in the wisdom and cryptic sayings of monks, and will search out solutions if he can.
3) If he can identify someone who knows ninjutsu (no-one yet), he will want to learn from them

Backstory:
Hidden: show
Usagi's furthest memories are of a ninja dojo in T'u Lung, near Ausa, where he stayed until around the age of 15. As a young child he remembers running about homeless and dirty, surviving on what he could sneak and what cooks (who doubled as disciples) would spare out of pity. Eventually, he fell in with a monk at the dojo, though Usagi doesn't know his real name, he called this monk “Da.” Da recognized the young hin's intellect and wisdom, but he did not do much to teach him except to ask troubling questions all the time. He did teach the young Usagi to chant, and Usagi had a propensity for it, and later saved his life. The chanting is in an esoteric language, and Usagi mastered many chants, knowing what they meant and what they were for, but not knowing the language it was in, nor did he know what diety it channeled. He learned to make the chanting beautiful and inspiring, nonetheless.

Da introduced Usagi to the daily martial drilling that went on at the dojo, which were geared towards agility and stealth, not strength and endurance. Though the secrets of ninjitsu were kept from him, the drilling began and ended with confucian-like sayings that were aimed to occupy the mind during and after practice. Usagi loved these little gems of wisdom and committed them to memory, often pondering them in his years to come. It was among this company that he got the name Usagi, which means “squirrel” for his nimbleness. This was his family until the age of 15, and Usagi often remembers the training years fondly, idealizing his childhood.

Unfortunately the dojo was attacked and destroyed by slavers, and Usagi was brought onto a ship that sailed the great Wa sea. Usagi's memories are that of incredible hardship. He was chained to his “shelf” on the ship and barely moved until the ship made land; where, Usagi doesn't know. Then came a long, chained trudge to the kingdom of Thay, where Usagi was sold as a farm laborer. He spent six years farming, but at night he would mouth out all the chants he had learned from Da, and would play them in his mind all day, thinking that some deliverance might come if he was devout enough.

After five years had passed a wandering performer visited the farm and paid for a nights respite and food for song and tales of adventure. At one point a slave master boasted drunkenly that his slaves could sing just as well, and Usagi was chosen to perform, forced in front of the audience. Usagi did not know what to do, thinking perhaps his failure would mean his end, he began to chant as he had learned from Da, and after completing the chant, the slave master burst out laughing and insulting Usagi for his poor performance. The wandering performer took an interest in Usagi, and, after leaving the farm the next day, began visiting Usagi at night in his cell, how he got in there was soon to be revealed, as Usagi learned from him an art of dancing into the shadows. When Usagi finally learned this art, he easily escaped his enslavers, which was his initiation into apprenticeship under the wandering performer, the human named “Mack.”

They traveled the Golden Way, making bread at small farmsteads and slipping past anything threatening. They traveled together for some four years, surviving as they did from hand to mouth as traveling bards. Mack died from plague in a small plague-ridden village near the sea of fallen stars, and Usagi, who was also stricken with the plague but survived, took his masters name from then on, introducing himself as “Mack.” He has continued to travel as a bard, but has used his photographic memory and wisdom to continue, with much trouble, the art of ninjutsu that he was deprived of so many years ago.
Shadowdancer

The world flickers
Its daily show in the sun,
And between the world and me,
The rain falls.
Sometimes you see it.
Sometimes, times like today, you must dance between the flickers
So you always stay wet as water.
By pouring from one empty sunday to another,
The moment is always full.

by Usagi


If one learns from others but does not think, one will
be bewildered. If, on the other hand, one thinks but does
not learn from others, one will be in peril.

- Confucian Analects 11.15
Alepou pseudo-active
Aranya quasi-active
Genbusemiactive
"once Aco Rogbath is down in health he will cast Big Sister. At that point, if any player moves before the effect decays, will chain geometrically,as both Curse Family and Acrid Hands already active,causing multiple base kilo damage"-Progressquest
User avatar
MistyMountain
Recognized Donor
Posts: 94
Joined: Fri Sep 11, 2015 7:47 am

Re: Mack Usagi

Unread post by MistyMountain »

Mack sat at the human-sized table with a human-sized tankard of ale. Two threads were entwining in his mind—whether he had enough money for another tankard, and how to depict the sublime without evoking fear or a loss of consciousness. He hoped his efforts were not lost on his small audience he had just performed to at the Risen Phoenix Tavern in Beregost. They didn't seem that enthusiastic... He counted his tips and sighed, drank deeply, and lapsed in consciousness...

“In modern literature the technique of imitation can involve a serious, problematic, and tragic conception of any character regardless of type and social standing, of any occurrence regardless of whether it be legendary, broadly political, or narrowly domestic; and in most cases it actually does so. Precisely that is completely impossible in antiquity. On the whole the rule of separation of styles remains inviolate. Everything commonly realistic, everything pertaining to everyday life, must not be treated on any level except the comic. As a result the boundaries of realism are narrow. And if we take the word realism a little more strictly, we are forced to conclude that there could be no serious literary treatment of everyday occupations and social classes, of everyday scenes and places, everyday customs and institutions, of people and their lives...Usagi, are you listening to me!”

Mack jumped when Miriam wrested the tankard from Mack's limp hands. He sat a moment blinking while the voice of his teacher echoed in his ears. As the walls spun, he climbed the stairs to his room at the Inn. Well that's my last performance for a while, they've had enough of me here anyway. He thought with grim resignation about sleeping on the hard cold ground by the road to Nashkel for a fresh round of performances...again. He fell over the bed fully clothed and slept.


The next afternoon, Mack was carefully walking around the farmstead just south of Beregost when two unusually large trolls and a strange grey-skinned creature came around a hill and shouted excitedly, spotting him. He did what he always does and faded into the shadows, as his teacher taught him. The party of monsters ran to where Mack was before he disappeared, and one of the trolls started to sniff Mack out. Mack crept away to the west, but they slowly sniffed their way towards him. They moved like this for a long time, until Mack was deeply lost in the wilderness. He finally came to a kind of village of straw huts, and as he neared it, the trolls were reluctant to follow, so Mack kept going in that direction, and the trolls left his trail. Mack stayed hidden and observed the strange little green creatures bustling about their village, but further to the east he glimpsed a human-sized mage, at least he was surrounded by magic. Mack crept in that direction and came closer, the mage was looking for something and had another human with him. “I don't see any gnomes here” He was saying. Suddenly the shadows enveloped his vision as well.

Do not leave the company of the wise.

Came his teacher's warm voice, but this was another teacher, his first... an old memory of his care-taker when he was a child, in a language so distant he had to assure himself it wasn't a dream.

He left the shadows and walked towards the mage openly, his mind racing. He had seen adventurers at his performances many times, and sometimes they even mistook him for an adventurer. “We could use your songs on the battlefield” A paladin of Tyr had said. The magic of song was no stranger to Mack, but adventure seemed like a waste of intellectual energy. I'm not here for the thrill of battle, or to solve peoples problems, although indeed, it is more complicated than that. A song or a story transports the listener. Its not that they forget their troubles, but they are held in suspense, and afterwards they might even learn something that helps. All this passed through his mind as he finally stepped in front of the mage, or mages, as images of him flickered and shifted dizzyingly.
“We're looking for a caravan that disappeared... and some Gnomes are the culprits... are you a Gnome?

“Me a Gnome? No.” Said Mack

Mack stood there waiting to see what would happen next. Good I have my teacher Mack's sword... and his clothes... and even his name. What am I thinking, I'm lost, this mage must know a way back to the road, I could make my way to Nashkel as planned and avoid the discomfort. Tracking vagabonds is a dangerous past time, and not the least glamorous enough material for a story. Of course, that depends on the characters...

The mage had been studying Mack.

“Perhaps you'd like to come with us?”

Mack opened his mouth and a void of uncomfortable silence broke into his mind.

Do not leave the company of the wise.

“Yes, I'll come with you and help.”

------------------------------------------------------
Quote from Mimesis by Auerbach, p 31
Alepou pseudo-active
Aranya quasi-active
Genbusemiactive
"once Aco Rogbath is down in health he will cast Big Sister. At that point, if any player moves before the effect decays, will chain geometrically,as both Curse Family and Acrid Hands already active,causing multiple base kilo damage"-Progressquest
Post Reply

Return to “Character Biographies”